An impressive 2008 composition for Piano and Sampling keyboard (played simultaneously by the scarily impressive Lisa Moore) that is both fiendishly virtuosic and rigorously non-academic. It’s also very listenable, throwing you about but never actually doing you any actual harm. Seductive sounds with rude awakenings. The CD finishes with an older piece: Brooklyn, October 1941 - for piano, played with two baseballs and a catcher’s mitt.