Two Pere Ubu ex-alumni (playing processed baritone guitar and EML synthesiser) plus electronic music producer William Blakeney (electric sitar) and supplemented by various guests with exotic instruments (sarangi, duduk, rahab, flute, sitar and occasional assorted percussion) play compositions by both protagonists. Tony Maimone’s pieces are mostly restful, meditative, rich and disciplined and marked by occasional electronic interpolations and precisely controlled dynamics. Alan Ravenstine’s pieces shift away more from this baseline, though not too far, introducing more autonomous electronics and more western ambiguity. There are also some orchestra samples and field recordings. In all, highly atmospheric and not always obvious. Packaged in artwork designed to focus listening, it’s an unusual project in these times. A twilight record, more mood inducing than mind engaging.