Reissue of the much missed CRI CD. The title track is a 29 minute piece for viola and small ensemble, conducted by Feldman himself: endlessly suspended and endlessly listenable - it could go on forever; cleanly articulated, always concentrated, in constant motion but without a goal; just rich in its going. There are longeurs that sink into silence, and there is great, and unfamiliar, use of blurry, quiet percussion. It is a work that transfigures time into pure qualia. If you are not familiar with Feldman, this, or Rothko Chapel, would be a good place to start. There are two other pieces on the CD, inhabiting the same timeless zone, 'Why Patterns', with Feldman himself at the piano, and 'False relationships and the extended ending.' For flute, percussion and piano.