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Main Catalog
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BACH/SCHNEBAL: Curved Bow, Diess Code:MODE52 Price:
£14.69
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BACHMANN, LEO: Palette of Sounds Code:UTR4131CD Price:
£14.69
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| | Solo tuba pieces that exploit extended techniques, circular breathing, harmonics and so on. Nice work. |
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BADINGS, HENK: More Electronic Music by (dbl CD) Code:BASTA91-712-2 Price:
£21.00
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| | Another collection of prescient and historic works by the remarkable and pioneering Badings, not sketches but fully formed pieces which, though dating from the late 1950s, sound more engaging and imaginative than much that is produced today. CD one holds 3 pieces: Capriccio (1959), one of the first works for acoustic instrument (violin) and (2) tape(s), Genese,(1958) for 5 frequency oscillators, and Dialogues for man and machine ((also 1958, busy man) a 20 minute radio piece for electronics and (processed) voice that is pretty off the map. CD2 features the 45 minute soundtrack for a multimedia event The woman of Andros (1959) which mixes pitched and unpitched sounds, melodies and rhythms, abstract textures and moods, and sits somewhere between a music that might have been composed for monophonic instruments and purely electronic sounds. It's closer to a strange, abstract, kind of pop music than anything else; an epic curiosity. This is followed by act 3 of Martin Korda D.P (1960) an opera for many voices and, in this extract, electronics - otherwise it's very conventional. The last track is Toccata (1964) a fugue of bleeps and bloops. In a very nicely designed package with useful booklet. |
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BAHN, CURTIS : R!g Code:EMFCD030 Price:
£14.69
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| | Pieces for sensor bass and live electronics, Bahn has designed a highly sensitive and interactive instrument with which he can generate real-time electronic music, though unlike Rose he is aligned more to the genre of computer music than to charting the experimental badlands, still it's solid work, if a little narrow and rather hectic. |
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BAILEY, DEREK, GAVIN BRYERS, TONY OXLEY: Joseph Holbrooke '98 + '65 Code:IncusCD39 Price:
£17.63
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| | Possibly the first of the British free improvisation ensembles, dating back to 1963 (evolving into free playing around 1966), here reformed for a single concert on the occasion of Tony Oxley's 60th birthday in Koln. It's nicely recorded (Geman Radio). A rare chance to hear a legendary group, which didn't make any released recordings in its own time and to contemplate a musical form that after 33 years is, in the hands of these performers, remarkably similar to the way it was in its youth. A useful mirror to an influential school of improvising. And sharp. You may think you're going to be bored, but you never are.PLUS the incus CD of a 10 minute rehearsal recording from 1965 (a very stretched version of Coltrane's Miles Mode). Fascinating comparison and about the only recording of the original group you can hear. First orders only, I'm afraid. Very limited supply. |
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BAILEY, DEREK: Ballads Code:TZ7607 Price:
£15.57
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| | John Zorn suggested to Derek that he make a CD of Standards, his way. Derek did what Derek does, with chunks of standards seamlessly integrated. Of course it works perfectly, and it makes one wonder why such material has routinely been so absent, even forbidden, in music that is described as free. More curiously the sleeve notes feel they have to explain and justify the admixture - a squirm Derek himself wisely keeps out of. I'd forget the packaging and the idea that this is something odd or special. It works. |
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BAILEY, DEREK: Improvisation (book) Code:BAILEY,DEREKImprovisation Price:
£18.21
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| | The first book to read on the subject, a broad and well written introduction by a scholar and a gent who knows of what he speaks - in spades. Highly recommended. |
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BAILEY, DEREK: To Play Code:ss008 Price:
£14.69
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| His last studio recording; produced by David Sylvian. |
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BAILEY, Denio & Palmer: The Gospel Record Code:SRRCD004 Price:
£12.93
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| | Amy and sometimes Dennis sing Gospel songs. Derek plays the guitar, Dennis Synthesiser and Samples. This is not improvised music, as known, it is rather stretched arrangements of Gospel music. It's great to hear Derek in this context - as with the great ‘Ballads', it's a rare occasion on which he leavens the abstractly free with the generic, melodic and harmonic and it suits him. More of this. Palmer orchestrates with taste and imagination. Amy does some daring and some risky things and holds everything together. Altogether a fine release. Short. 7 songs. But who need quantity when there's quality to be had. |
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BAKER, LAURIE SCOTT & ROBERT EVANS: Liquid metal Dreaming Code:MNCD010 Price:
£14.69
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| | An interesting set of pieces for combinations of basses, metal percussion, crwth (a 6 string lyre tuned to Pythagorean proportion 12:9:8:6, often bowed), tambura, lyre and fiddle - any two at a time. Airy, light, delicate and resonant sounds of great richness, floating for the most part in their own sonority, not too structured, not going anywhere in a hurry, but also not drones and not boring. Laurie you may know from the Scratch Orchestra, Robert is a celebrity in the tiny community of very early Welsh string music. This is a music easy to approximate in a lacklustre way and very hard, as here, to make luminous. Eccentric sleeve-notes but a fine recording. For immersive listening. |
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BAKER, LAURIE SCOTT: Gracility (dbl CD) Code:MNCD012 Price:
£19.50
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| | In the mid to late sixties Baker was much involved with Cardew, AMM, Tudor, the London Improvisers and then the Scratch Orchestra, as well as jobbing in Hair and with Manfred Mann and Alex Harvey, soon falling into the ambit of the so-called Canterbury scene. Moving about then. These are original documentary recordings of 4 performances of Baker's pieces, made between 1969 and 1975 that feature Derek Bailey and Keith Rowe (their only recording together), Gavin Bryars, Evan Parker, Jamie Muir, John Tilbury and the Scratch Orchestra. Whatever else, that makes these important historical documents. The title piece (Baker, Bailey, Briars and Rowe, with their amplifiers turned all the way up and them trying to play quite softly) is 71 minutes long and gives a good flavour of the period, Pibroch, with Evan, is a snippet at 5.57 but very lyrical and exquisite (and not at all like the Evan we know today), Bass, Chants and Cues features a trio of John Tilbury (Lowry organ), Laurie Baker (fretless bass, VCS3 and pedals) and Jaime Muir (Drums) which starts a bit like Terry Riley and ends a lot like Faust - and finally Circle Piece is a rare, good quality, recording of the Scratch Orchestra. The sleeve notes are also interesting since they show the many interconnections that existed at the time between contemporary art music, the free improvisers and fringe rock and pop. It was a moment that didn't last. In its way a gem. |
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BAKSHI, ALEXANDER: Hamlet is Dying Code:CDLA00028 Price:
£14.69
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| | Three works for performance (music-theatre).The first, Hamlet is Dying, for 2 violins, three string ensembles, Double Bass funeral train and Bass drum brought to my mind an echo of Broch's 'Death of Virgil' as Hamlet's life swirls around him and some external sounds penetrate following his fatal poisoning. Part music, more dramaturgy, a convincing and concentrated work.The second piece, Sidur Mystery, for Soprano and percussion ensemble seems less concentrated, certainly on the record, without the seeing and the being there. You can compensate a bit by turning the Volume up and the light down, but this is still more of a document than a listening piece. It's interesting but not gripping.The third, Shostakovich Concerto, for Violin and Strings (a piece about, not by Shostakovich) . Gideon Kremer is the main violinist on the first and third pieces. The sleeve notes are almost worth the price of the CD, Bakshi writes about his idea of theatre-music, about the unique and critical quality of individual performance and about the deep relation of sound, space and presence in performance that is centred on dramaturgy and not dependent on words or any separable element. And there's the rub, on the CD, of course, only the sound remains. Nevertheless, there is an intelligence at work here that even information of is worth the having. Russian release. Limited supply. |
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BAKU: SYMPHONY OF SIRENS - SOUND EXPERIMENTS IN THE SOVIET AVANT GARDE. ORIGINAL DOCUMENTS AND RECON Code:ReRRAG12 Price:
£27.50
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| Clothbound 72 page 25 x 14 cm book with two CDs. CD1: The Symphony of Sirens. In 1922 Arseni Avraamov composed and conducted a visionary public sound event, activating the entire port city of Baku: its factory sirens, the ships horns of the entire Caspian flotilla, two batteries of artillery, several full infantry regiments, trucks, seaplanes, 25 steam locomotives, an array of pitched whistles and several massive choirs. Constantly referenced but forever lost, this extraordinary event is here painstakingly reconstructed and spatialised to approximate the original experience. Plus 39 other priceless sound works, including the legendary Victory over the Sun and other lost documents of Malevich, Dziga Vertov, Nikolai Foregger & his Orchestra of Noises, Sergei Prokofiev, El Lissitsky, Velimir Khlebnikov, Ivan Ignatyev & The Ego Futurist Group, Mikhail Matiushin, Alexei Kruchenykh, Georgi Yakoulov, Konstantin Melnikov, Igor Severyanin, Vasilisk Gnedov, Vladimir Kasyanov & The Futurist Circle, David Burliuk, Elena Guro, Olga Rozanova, H2SO4 Group, Simon Chikovani, The Nothingists, Vasily Kandinsky, Danil Harms, Igor Terent'ev, Mikhail Larionov, The Psycho-futurists group, Vasily Kamensky, Varvara Stepanova and Roman Jakobson. CD2: Enthusiasm! The Dombass Symphony (1930) is possibly Dziga Vertov's most revolutionary achievement: a symphony of abstract industrial noise for which a specially designed giant mobile recording system was constructed (it weighed over a ton) in order to capture the din of mines, furnaces and factories. For Vertov, the introduction of sound film didn't mean talkies, but the opportunity to collage, montage and splice together constructions of pure environmental noise. In addition, this CD collects together for the first time a definitive library of original sound documents from the Russian Avantgarde: contemporary recordings of Alexander Mossolov, Julius Meytuss, Roman Jakobson, Velimir Khlebnikov, Alexei Kruchenykh, Vladimir Mayakovsky, Lili Brik, David Burliuk, Sergei Esenin, Vasily Kamensky, Semen Kirsanov, V.I. Lenin, Anatoly Lunacharsky, Alexandra Kollontay, Leon Trotsky, Boris Pasternak, Anna Akhmatova, Osip Mandelshtam, Ilya Ehrenburg, Marina Tsvetaeva, Naum Gabo, Noton Pevsner and Dmitri Shostakovich. BOOK: A comprehensive overview of the complexity and breadth of the many early C20 Russian avantgarde movements, followed by detailed notes and contexts for the individual recordings - including summary biographies of the main actors; additional work notes about the process of the extraordinary Baku reconstruction; a bibliography, rare photographs, web research links, artwork, facsimiles of contemporary documents, a comparative timeline of European and Russian Avantgardes and the first English translation of an article by Avraamov about the symphony. This is a definitive library collection, some seven years in the making and possibly our most important release of recent years. |
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BALAYANA, JOSEPH MARIA: Ultramarinos 451 Code:NCM5 Price:
£14.69
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| | A live recording of a concert at the Miro Foundation, Barcelona, for piano, prepared piano, public and a lot of plastic tubing. There are always more things to do with a piano - and here are a few of them. |
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BALDAH, BEBO: Soniaskiri Code:SUBCD0025-47 Price:
£15.33
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BALESTRACCI, FRANCK : Existences Invisibles CDR Code:FRANCKBALESTRACCI:ExistencesInvisiblesCDR Price:
£12.93
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| An interesting CDR release of fairly involved pieces that would fit at the non pompous fringe of what has come to be known a Îprogâ, but with hints of Magma, film music, a little Jazzrock where all instruments (means drums and all manner of keyboards a lot of synth -are played by Frank. |
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BALESTRACCI, FRANCK: Modified Reality Code:Carbon7 Price:
£14.69
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| | This is in all respects a large record, full of ideas, clean sounds and layered atmosphere. Most of it is played by keyboardist and drummer Balestracci, with many electronic aids and much overdubbing, though Guitarist Reginald Trigaux and Bassist Guy Segers both appear. Epic pieces, fully evolved and arranged, with more than a little of the Magma/Univers Zero/Present about them, though written on a much broader canvas. Instrumentally it's impressive; also in its focus and tension. Nicely recorded: transparent, but powerful when it needs to be. |
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BANCQUART, ALAIN: Livre du Labyrinth (dbl CD) Code:Mode120-121 Price:
£22.03
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| | 6 pieces exploring microtanailty, shifting textures and time, some with very interesting instrumentation (piano in sixteenth tones, two in quarter tones and 2 violas d'amore; electric guitar, flute, harp, cello, clarinet, cymbalum, percussion and quartertone piano; four singers and tape; bass voice and 5 cellos. But much is slow and demands a performance context or visual accompaniment, I think, except for a few pieces. On the other hand the densely microtonal pieces are extremely interesting and unusual. A CD you might not want always to listen to all of but with some tracks that are passing strange. |
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BANDA ELASTICA: Al tencargo Code:CDLN22 Price:
£14.69
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| | Mexico's most tenacious and admirable band with a CD that is deeply musical and quite unique. While there are nods in the direction of the contemporary music aspects of Zappa and some Henry Cow, this is a project that brings great musicianship, complex compositions, a feeling for rhythms, and a seamless interpolation of improvisation, into a single language. Rare amongst so-called progressive bands, B.E. pursues a music here that owes nothing to fashion or imitation. This new CD features 6 commissioned compositions by contemporary Mexican composers that are varied, imaginative, have some sense of place and involve the particular skills and abilities of the group. It makes stimulating listening. Especially notable are the tracks by Hilda Paredes. A quietly exemplary record by an admirable band. Recommended. |
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BANDA ELASTICA: Cataloga de Tiraderos Code:CDLN04 Price:
£14.69
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BARRET, NATASHA: Isostasie Code:IMED0262 Price:
£14.69
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| Installation pieces mostly, well crafted. |
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BARRETO, JORGE LIMA, VITOR RUA: Telectu Solos - Dbl CD Code:BA00201 Price:
£18.21
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| Prepared Piano. Customised Midified Guitar. |
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BARRETT, NATASHA: Trade Winds Code:ACD5056 Price:
£14.69
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| | A sustained and impressive electroacoustic/ documentary composition built around sounds recorded from old ocean-going wooden ships (the sea, the creaking rigging, occasional voices) as well as appropriately related sources, that blends the weight of the world's oceans, the hyper-reality of film soundtrack, the conventions of science fiction, total sensory immersion and an imaginative suggestion of narrative. So: unclassifiable. A one-off. And great. Composed as a 16-channel installation it comes here on an SACD hybrid disc - so it will play on any CD player, but if you have SACD hardware, you will get the extra quality. |
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BARRETT, RICHARD: Vanity Code:NMCD041S Price:
£8.23
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| | Three dense movements (25.36 total) for Orchestra (BBC Symphony). Remarkable in that the orchestra is organised like a small ensemble, with a complexity and clarity of organisation and timbre that is surprising, even extraordinary. In fact the orchestra becomes, effectively an invented instrument. A great achievement, and a readable sign in the murk of orchestral composition. Prodigious. |
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BARROSO, SERGIO: Delirantes Code:IMED9628/29 Price:
£15.28
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| | Good collection from Cuban composer of pieces for solo instruments and tape. |
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BARTLEY, WENDE: Claire-voie Code:IMED9414CD Price:
£9.09
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BARTSCHI: Klang Klavier Code:RECDEC4 Price:
£13.00
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BASCHET, BERNARAD AND FRANCOIS : Les Structures Sonores Code:FMRCD63-0599 Price:
£13.51
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| | Collated from many sources, including long deleted records (remember the Bam label?), this gives some idea of the extraordinary scope of the Baschet brothersÕ instruments. In a long career, starting in 1954, they produced families of beautiful, exotic, futuristic sculptures made from metal, sheet aluminium, glass, wire and plastic - in all sizes, some small, some over 20 feet high Ð all designed to be played: stroked, beaten, bowed, blown (even worn) and composed for. Here are compositions from various hands that exlore the amazing array of sonorities these objects can produce Some unfortunate vocalising now and then does not really detract. This is history. I recommended that you get this CD free with the Book Ð see the book section for details. |
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BASCHET, FRANCOIS: Les Structures Sonores. With Free CD Code:FRANCOISBASCHETLesStructuresSonores Price:
£18.80
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| The Baschet brothers produced families of exquisite sculptures, starting in 1954, which were designed to be played as instruments - exquisite and exotic instruments whose sounds recall Partch, Analogue synthesisers, the Ondes Martinot, Fred Frith and otherworldly atmospheres impossible to produce except through this specific acoustic concatenation of materials and shapes. In this book their history, the principles of their design, the theory of sound that informed them and a fascinating anecdotal history of their careers and the careers of their designers in many countries and in collaboration with Cocteau, Varese, Schaeffer, Shankar, Cage, Tudor, Menuhin and Takemitusu (who has a piece for the instruments on the CD) are covered, along with 100Õs of photographs and design drawings and a clear meditation on acoustic principles and sonic theory. Another indispensable addition to every library. And not even expensive.
Weight means we have to add postage to this - sorry £3.00 UK, £4.00 Europe, £6.00 World. |
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BASSOONIST Code:p-200214 Price:
£14.50
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| | Reinhard, Vieru, Scelsi, Pehson, Babin. Played by Jonny Reinhard. |
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BAUER, KONRAD.: Toronto Tone Code:VICTOCD017 Price:
£14.69
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BAUER, KONRAD: 3 Wheels in 4 Directions Code:VICTOCD023 Price:
£12.50
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BAYLE, FRANCIS: La Main Vide Code:MUSIDISC245542 Price:
£18.80
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| | Vol 8 in the works. |
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BAYLE, FRANCOIS : Jeita Code:MD248122 Price:
£14.98
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| | Pieces spanning 1970-1999, derived from recordings made in a vast natural space - the grotto at Jeita - of an ensemble composition by Bayle - and of the environ. Some recognisable sounds, but very spacious and highly processed. Fine work. Then, some 30 years later a revisitation of the materials. Interesting. With some impressive picture documentation. |
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BAYLE, FRANCOIS: Camera Oscura. Espaces Inhabitables Code:MD275112 Price:
£14.98
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| | Pieces from 1967 and 1976.'Spaces' is an early work, remixed here, but from the original; Camera is a recent revision of an early piece. Both use mainly concrete, manipulated materials and both have the early clarity and excitement of much of the pioneer work, making the most of every sound and of its spatial placement. These are classic works. |
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BAYLE, FRANCOIS: Fabulae Code:MUSIDISC244732 Price:
£18.80
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BAYLE, FRANCOIS: Grande Polyphonie/Vibrations Code:MCGB0396 Price:
£18.80
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| | One of the masters. Intuitive and non-mechanical, crystal clear acousmatic sounds brilliantly organised. Radical and densely complex but still a dream of eloquence. |
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BAYLE, FRANCOIS: L'Experience Acoustique (dbl) Code:MUSIDISC245042 Price:
£37.01
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BAYLE, FRANCOIS: Motion-Emotion Code:MD292432 Price:
£14.98
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| | Back in Print. 22 minute piece. Excellent. |
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BAYLE, FRANCOIS: Theatre D'Ombres/Minameta Code:MGCB0291 Price:
£18.80
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