Independent Review/Description

ReR Label

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	5UU's: Crisis In Clay Code:ReR5UU2 Price: £12.50 Quantity in Basket: none
Second Installment from monster band 5UU's, featuring rock complexity, extraordinary production (by bassist and singer Bob Drake) and high energy precision mixed with eccentric song-writing. People that work this hard are becoming an endangered species. Extraordinary.
	5UU's: Hunger's Teeth Code:ReR5UU1 Price: £12.50 Quantity in Basket: none
The re-formed 5UU's first CD, featuring, one-of-a-kind drummer Dave Kerman with new line-up- Sanjay Kumar (keyboards) and Bob Drake (Bass, Guitar, Vocals) and guests Susanne Lewis, Tom Dimuzio, and James Grigsby. Power, complexity and intelligence - an express train that can pirouette on a dime.
	ABSOLUTE ZERO: Crashing Icons Code:M=R.2 Price: £12.50 Quantity in Basket: none
Based in Miami, this is a very interesting American band, ploughing its own furrow - whose accent is what they call 'prog' over there, but whose language is more complex by far. Pip Pyle adds a seasoned sophistication - in fact I think this is a great environment for him, he shines - but the whole ensemble is way past the foothills and keeping the oxygen packs handy. An excellent first CD, in a style that, features densely composed, layered, slightly post 5UU-school music - with some sung parts, high level rock/abstract improvisation. virtuoso playing and excellent clean, powerful production. In fact close and intelligent attention to detail - compositional, performative and sonic - is its hallmark. These are long-considered, sustained pieces. A fine debut. Listen to a sample of this release Listen to sample #2 of this release Listen to sample #3 of this release Listen to sample #4 of this release
	AFTER DINNER: Editions: Code:ReRADCD Price: £12.50 Quantity in Basket: none
One of a kind group whose compositions depend on a sound that is intricate, crystalline and complex. These are perfectionists. The CD consists of the LP ReR 20 + 40 minutes of extra material, including remarkable live versions and new songs.
	ALLEN, DAEVID, HUGH HOPPER, CHRIS CUTLER: BRAINVILLE 3: Trial by Headline Code:ReRBV3-1 Price: £12.50 Quantity in Basket: none
Three old hands out of Soft Machine, Gong and Henry Cow stretch already flexible musical material into one shape after another, then tie it in knots and generally have a fun with it. High quality recordings combined with seat-of-the-pants playing keep the tension high, underpinning a richly labile music, full of shape and colour that is constantly in motion. Compiled from recent concert recordings in Berlin, London and Tel Aviv, this clutch of extended songs should be to the taste of anyone familiar with the protagonists - or who longs to hear a little more straightforward instrumental playing in place of computers, heavy processing and sanitised post production. Brainville offers you tightrope walking, imagination, fast thinking, and a seasoned musicality: a social music, played by old friends, that blithely goes its own way.
	ALQUIMIA/LEDESMA: Dead Tongues Code:ReRALQ1 Price: £12.50 Quantity in Basket: none
Atmospheric, evolving, intricate and layered; a suite of fine compositions and carefully crafted sounds. Consistent creation of another place, another time. Listen to a sample of this release
	AMM: Ammusic Code:ReRAMMCD Price: £12.50 Quantity in Basket: none
The definitive 1966 recordings, complete, available for the first time as they were recorded. Plus 35 minutes of extra music from the same sessions. No history of contemporary music is written without reference to AMM, and in particular to these recordings. Cornelius Cardew: Piano, Cello, Transistor Radio; Lou Gare: Tenor Saxophone, Violin; Eddie Prevost: Percussion; Keith Rowe- Electric Guitar, Transistor Radio; Lawrence Sheaff- Cello, Accordion, Clarinet, Transistor Radio. Usefully indexed, full booklet.
	ANGELI, PAOLO: NITA. L'Angelo sul Trapezio Code:ReRPA2 Price: £12.50 Quantity in Basket: none
This could hardly be more different from his first ReR CD- the extraordinary collection of solo prepared Sardinian Guitar pieces. Here, with a small orchestra of musicians (30 of Bologna's finest), is a programme of highly evolved, through composed pieces that cover half a planet of styles and influences. At one pole there are involved pieces that bring to mind Uncle Meat period Zappa, and contemporary experimental music - and at the other, the straightforward influence of traditional Sardinian folk music. In between there blooms a broad bouquet of combinations, each telling its own part of the story. Throughout, Paolo's compositional voice remains the single thread on which all these episodes are strung. This is a CD that has the feel of a major project that took years and a massive amount of work to complete, which is what it is and what it did. With an extravagant and beautiful 28 page full colour booklet of photographs and full texts.
	ANGELI, PAULO: Bucato Code:ReRPA1 Price: £12.50 Quantity in Basket: none
Extraordinary player - extraordinary instrument. Paulo plays a highly modified and treated Sardinian Guitar - in many styles, some of them apparently impossible. Innovative techniques, a deeply musical sensibility and a rich, occasionally baffling, palette of sounds. Inevitably, comparisons will be made with Fred Frith, though not by me, Paulo is his own man. A fine and original work.
	ANGELI, PAULO: Tessuti Code:ReRPA3 Price: £12.50 Quantity in Basket: none
The latest from Paulo on which he plays compositions by Fred Frith and Bjork - solo (though when you hear it, you definitely won't believe it) on his highly customised and extended, electrified, giant Sardinian guitar. A tour de force of technique and a musical pleasure. There is so much subtlety and so much attention to the minutiae of sound, and so much going on at any given time, that it is difficult to relate what you hear to just one person playing. Very concentrated, rewards listening to a few songs at a time. Though strangely, you could probably also dance to it.
	ARCANE DEVICE: Engine Of Myth (vinyl) Code:ReR35 Price: £10.34 Quantity in Basket: none
David Myers has invented an instrument (see the ReR Quarterly Volume 2, Number 3 for details) that produces sound, as it were out of nothing:Feedback music - it screams, it whispers, roars, ululates, explodes, divebombs, twitters and reverberates endlessly in vast and detailed soundscapes; it sets two sound-mirrors face to face creating infinite reflections. DM struggles to control this machine and to give its massive voices shape. The result is huge, intimate and altogether remarkable.
	ART BEARS: Hopes and Fears Code:ReRAB Price: £12.50 Quantity in Basket: none
The first Art Bears LP, mostly made by the band formerly known as Henry Cow and completed by Fred Frith, Chris Cutler and Dagmar Krause who went on, as '[Art Bears', to investigate this short song format further over the next two years, once Henry Cow had ceased to exist. Experimenting with the song form and the productive possibilities of the recording studio, this was hailed in its time (1978) as a landmark recording, and has been constantly in demand ever since. Therefore this new version, re-mastered by Bob Drake, and sounding for the first time like the original tapes. Repackaged. Listen to a sample of this release
	ART BEARS: Art Bears Revisited (dbl) Code:ReRAB4/5 Price: £20.00 Quantity in Basket: none
Prepared over six years for our 25th Anniversary, this is a collection of specially commissioned re-mixes, re-workings and (mostly) new pieces made from the Art Bears' multi-track masters by JOHN OSWALD, THE RESIDENTS, CHRISTIAN MARCLAY, FRED FRITH, CHRIS CUTLER, BIOTA, OTOMO YOSHIHIDE/GROUND ZERO, BOB DRAKE JON ROSE, OSSATURA, WARRIC SWINNEY/KALAHARI SURFERS, WHEN, THOMAS DIMUZIO, ANNIE GOSFIELD ROGER KLEIR,ANDREA ROCCA, VITOR RUA, JOCELYN ROBERT,MUSCI/ VENOSTA/ MARIANI, MASSIMO SIMONINI, HERB HEINZ. MARTIN ARCHER, YASUSHI UTSUNOMIYA, JON LEIDECKER/WOBBLY,STEVAN KOVACS TICKMAYER andBRIAN WOODBURY - an amazing catalogue of imagination and great music, digi-packed with a cover art by EM Thomas, who did all three original art bears covers and containing Art re-mixes in the booklet as well as comprehensive information. This double also contains Collapse from the Ralph Records single, All Hail from the Recommended Sampler and one previously unreleased and unfinished track completed by Fred Frith and Chris Cutler for this CD.
	ART BEARS: The World as it is Today Code:ReRab3 Price: £12.50 Quantity in Basket: none
The third classic Art Bears record, and the most austere. Remastered and repackaged.
	ART BEARS: The art box Code:ReRABox Price: £40.00 Quantity in Basket: none
A 6 CD box containing: 1. The three original releases, properly re-mastered, - when we did them before, the technology was much poorer. Stunningly re-mastered by Bob Drake from 24 bit transcriptions of the original tapes and in newly designed Digipacks, same cover art, of course. 2. Art Bears Revisited -A double CD of re-mixes, re-workings and (mostly) new pieces made from Art Bears multi-track masters by JOHN OSWALD, THE RESIDENTS, CHRISTIAN MARCLAY, FRED FRITH, CHRIS CUTLER, BIOTA, OTOMO YOSHIHIDE/GROUND ZERO, BOB DRAKE JON ROSE, OSSATURA, WARRIC SWINNEY/KALAHARI SURFERS, WHEN, THOMAS DIMUZIO, ANNIE GOSFIELD ROGER KLEIR,ANDREA ROCCA, VITOR RUA, JOCELYN ROBERT,MUSCI/ VENOSTA/ MARIANI, MASSIMO SIMONINI, HERB HEINZ. MARTIN ARCHER, YASUSHI UTSUNOMIYA, JON LEIDECKER/WOBBLY, STEVAN KOVACS TICKMAYER and BRIAN WOODBURY. 6 years in the making, this is an amazing catalogue of imagination and great music. Digi-packed with a cover art by EM Thomas, who did all three original art bears covers and containing Art re-mixes in the booklet as well as comprehensive information. This double also contains Collapse from the Ralph Records single, All Hail from the Recommended Sampler and one previously unreleased and unfinished track completed by Fred Frith and Chris Cutler for this release. 3. A free extra CD only available with the box (there are reasons) containing further re-workings by John Oswald, Bob Drake, Fred Frith, Biota, Yasushi Utsunomiya, as well as live Art Bears tracks and a Duck and Cover cover. 4. A thick book of artwork, articles, notes, interviews and commentary on the material, the work process, the tour and the band in general, with photographs, documents and artwork. Listen to a sample of this release
	ART BEARS: Winter Songs Code:ReRab4 Price: £12.50 Quantity in Basket: none
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	BAKU: SYMPHONY OF SIRENS - SOUND EXPERIMENTS IN THE SOVIET AVANT GARDE. ORIGINAL DOCUMENTS AND RECON Code:ReRRAG12 Price: £27.50 Quantity in Basket: none
Clothbound 72 page 25 x 14 cm book with two CDs. CD1: The Symphony of Sirens. In 1922 Arseni Avraamov composed and conducted a visionary public sound event, activating the entire port city of Baku: its factory sirens, the ships horns of the entire Caspian flotilla, two batteries of artillery, several full infantry regiments, trucks, seaplanes, 25 steam locomotives, an array of pitched whistles and several massive choirs. Constantly referenced but forever lost, this extraordinary event is here painstakingly reconstructed and spatialised to approximate the original experience. Plus 39 other priceless sound works, including the legendary Victory over the Sun and other lost documents of Malevich, Dziga Vertov, Nikolai Foregger & his Orchestra of Noises, Sergei Prokofiev, El Lissitsky, Velimir Khlebnikov, Ivan Ignatyev & The Ego Futurist Group, Mikhail Matiushin, Alexei Kruchenykh, Georgi Yakoulov, Konstantin Melnikov, Igor Severyanin, Vasilisk Gnedov, Vladimir Kasyanov & The Futurist Circle, David Burliuk, Elena Guro, Olga Rozanova, H2SO4 Group, Simon Chikovani, The Nothingists, Vasily Kandinsky, Danil Harms, Igor Terent'ev, Mikhail Larionov, The Psycho-futurists group, Vasily Kamensky, Varvara Stepanova and Roman Jakobson. CD2: Enthusiasm! The Dombass Symphony (1930) is possibly Dziga Vertov's most revolutionary achievement: a symphony of abstract industrial noise for which a specially designed giant mobile recording system was constructed (it weighed over a ton) in order to capture the din of mines, furnaces and factories. For Vertov, the introduction of sound film didn't mean talkies, but the opportunity to collage, montage and splice together constructions of pure environmental noise. In addition, this CD collects together for the first time a definitive library of original sound documents from the Russian Avantgarde: contemporary recordings of Alexander Mossolov, Julius Meytuss, Roman Jakobson, Velimir Khlebnikov, Alexei Kruchenykh, Vladimir Mayakovsky, Lili Brik, David Burliuk, Sergei Esenin, Vasily Kamensky, Semen Kirsanov, V.I. Lenin, Anatoly Lunacharsky, Alexandra Kollontay, Leon Trotsky, Boris Pasternak, Anna Akhmatova, Osip Mandelshtam, Ilya Ehrenburg, Marina Tsvetaeva, Naum Gabo, Noton Pevsner and Dmitri Shostakovich. BOOK: A comprehensive overview of the complexity and breadth of the many early C20 Russian avantgarde movements, followed by detailed notes and contexts for the individual recordings - including summary biographies of the main actors; additional work notes about the process of the extraordinary Baku reconstruction; a bibliography, rare photographs, web research links, artwork, facsimiles of contemporary documents, a comparative timeline of European and Russian Avantgardes and the first English translation of an article by Avraamov about the symphony. This is a definitive library collection, some seven years in the making and possibly our most important release of recent years.
	BIOTA: Almost Never Code:ReRBCD3 Price: £12.50 Quantity in Basket: none
'Almost Never' returns to the deep layering and density of the earlier Horde'.
	BIOTA: Bellowing Room/Tinct Code:ReRBCD2 Price: £11.50 Quantity in Basket: none
'Bell/Tinct' comprises 78 minutes of two complete (now deleted) LP's. An extraordinary, compact and somehow timeless unfolding of recognisable and unrecognisable sound, permanently mutating or being shattered or imbricated.
	BIOTA: Half a True Day Code:ReRB6 Price: £12.50 Quantity in Basket: none
Six years in the making, the visual/sonic art group Biota have finally completed their Sixth CD for ReR. Unique in their history and method, Biota painstakingly construct complex, organic structures that mix extensive studio processing and musique concréte techniques with a highly eclectic orchestra of acoustic and electronic resources - from kit drums, through mediaeval winds, strings and barrel organs to early experimental electronic instruments. Their works are always performance driven and interleaved with successive stages of lamination, imbrication, and radical pre- and post-processing, Quietly ploughing their own furrow for decades, Biota resemble no one, follow no one and, if the sonic arts were like the visual arts, would by now be a national treasure.
	BIOTA: Invisible Map Code:ReRBCD5 Price: £12.50 Quantity in Basket: none
A long time coming, but as always, well worth the wait. Technically, this is the usual uncategorise-able mixture of primitive electronic, ethnic antique and conventional instruments, multilayered processing and meticulous construction. Aurally, vast, three dimensional sonic landscapes emerge in sharp Dalian detail, matched in the generous accompanying booklet with lapidary artworks from the visual component of the band. Extraordinary. Listen to a sample of this release
	BIOTA: Object Holder Code:ReRBCD4 Price: £12.50 Quantity in Basket: none
Stunning work that breaks new ground; an extraordinary achievement that was 3 years in the making and rewrote lot of rules in passing. With texts and singing by the inimitable Susanne Lewis, the CD also features contributions from Charles Vrtacek (Piano), Andy Kredt (Guitar) and Chris Cutler (percussion, electrics, and some texts). A Dense, profound field of sound, music and silence.
	BIOTA: Tumble Code:ReRBCD Price: £12.50 Quantity in Basket: none
'Tumble' is a commissioned for CD work, using the maximum available parameters offered by the medium. More recognisable organisation of theb classic Biota materials here.
	BLAST 4tet: Sift Code:ReRBlast02 Price: £12.50 Quantity in Basket: none
This is the second release, after a long wait, from this unique ensemble. Equally at home with the discipline of composition and the tightrope of improvisation Blast (now Blast 4tet) have evolved a fluid, pointillistic, unfathomable but transparent musical language that seamlessly integrates - over very short durations - highly complex writing and very free ranging improvisation, allowing the two languages to merge and combine into a new kind of logical exposition that makes sense but can't be reverse-engineered into its component parts. This is a music that lives through detail and exposition; neither resolving into composition, nor able properly to be understood as improvisation. In this respect Blast have solved a problem that has defeated many in the last 40 years.
	BLAST: Altrastrata Code:ReRBlast1 Price: £12.50 Quantity in Basket: none
In my opinion this is far and away the best thing this group has ever done (many will doubtless disagree) since they have moved from the complex rigidity of their earlier material into an altogether looser, more organic fluidity that retains some of the best of their organizing and compositional ability in an environment that, musically, has space to breath. The inclusion of drummer and amplified, processed percussionist Fabrizio Spera seems central to this new approach, at once improvisational, extended in tonal and rhythmic subtlety, and still locking into clear, coordinated stretches of translucent writing. An important release. Listen to a sample of this release
	BLEGVAD, PETER: Hangman's Hill Code:ReRPB3 Price: £12.50 Quantity in Basket: none
13 new songs from el maestro with the standard trio featuring John Greaves and Chris Cutler, and guests B.J.Cole, Geraint Watkins, Adam X, Chris Stamey, Bob Drake and Stoffer Blegvad. Listen to a sample of this release
	BLEGVAD, PETER: Just Woke Up Code:ReRPB2 Price: £12.50 Quantity in Basket: none
For my money, the best yet. Great songs performed by Peter, John Greaves, Chris Cutler and various guests including B.J. Cole, Kristoffer Blegvad and Jakko Jakszykx. Roll back the carpet, turn up the stereo. Listen to a sample of this release
	BOLE, ANDY: Ramshackle Pier Code:AdHoc5 Price: £12.50 Quantity in Basket: none
Andy Bole, known to our very old adherents through the remarkable Bole Drawings, was and is a very fine guitarist in (loosely) the British style (Jansch, Graham, Renbourne), with oriental shadings. This is a fine collection of his own (mostly) acoustic pieces, joined on 3 tracks by Bill Gilonis (electric guitar, bass, piano, percussion) and on one by Catherine Jauniaux (voice), the guitars are both single and multitracked. The title track launches into arranged complexity, dissonance and epic structure. And the tracks past this central point agrowmore sonically strange and atmospheric. On its release (1984) the LP was voted album of the year by the specialist acoustic magazine Folk Roots, and Andy went on to make many more, and to play internationally with the named and famous). A solidly musical, diverse, imaginative and excellently recorded piece of work. Highly recommended.
	CASSIBER/GROUND ZERO: Live in Tokyo/Ground Zero remix (dbl) Code:ReRCGZ2 Price: £20.00 Quantity in Basket: none
This is a collection of pieces developed from and using the live recordings of Cassiber's Tokyo performance by Otomo Yoshihide and Ground Zero. This is also in part a tribute, and it is the last recording of Ground Zero, marking the end of Otomo's main project of the last 7 years. Taken together, these have much to say about the connections, innovations and changes at the musical boundaries between the mid 80's and late 90's. Listen to a sample of this release
	CASSIBER: Beauty and The Beast Code:ReRCCD3 Price: £12.50 Quantity in Basket: none
Out of print for years. A handful of copies found. A reissue of this long out of print classic - includes the great "In Eine Minute", "Last Call" and "Robert".This is the full UK version - plus the rare 7'; special "Time Running Out" as a bonus track. Listen to a sample of this release
	CASSIBER: A Face We All Know Code:ReRCCD Price: £12.50 Quantity in Basket: none
Christoph Anders, Heiner Goebbels, and Chris Cutler. "A Face" breaks new ground altogether; it is a single work with texts by Chris Cutler, Rainald Geotz and Thomas Pynchon and documents the last days of a political nightmare. Beginners start here. Listen to a sample of this release
	CHARMING HOSTESS: Punch Code:ReRCH1 Price: £12.50 Quantity in Basket: none
A few of you will already have heard either the Hostess's first wild American release or founder Jewlia Eisenberg's ear-opening Tzadik CD of last year. The Hostesses here are an extraordinary 7 piece band, tight, a little rockish, comprising bass, drums, guitar, fiddle, various horns, accordion and other occasional instruments (singing saw, for instance) - but the work is distinguished by the amazing vocal arrangements (everyone sings, and exceptionally). Additive rhythms stretched harmonies, pinpoint playing; this is evolved material, executed with great skill - and great looseness. Some traditional pieces from Bulgaria, Palestine, Transylvania and Southern America appear in very personalised arrangements alongside original songs that go way beyond world music genres.
	CMCD [REISSUE]: Six Classics Code:ReRCMCD-RE Price: £12.50 Quantity in Basket: none
This essential piece of history at last reissued, redesigned and repackaged. Keystone works from the various streams of musique concrete, electronic music, soundscape, electroacoustics and plunderphonics - including two masterworks from Eastern Europe, a territory traditionally overlooked in collections of this medium. It comprises: John Oswald's 'Parade', a complex work drawn and extended from Satie's celebrated ballet composition of 1917; Georg Katzer's monumental 'Aide Memoire' ('7 nightmares from the 1000 year night'), a terrifying document of collage, electronic manipulation, original composition and sound documents from 1933-45; Lutz Glandien's exquisitely economical, sonically powerful and surprising 'Es Lebe' for Tape and Tuba; Steve Moore's groundbreaking 'A Quiet Gathering' (chamber music for environmental sounds) - a multi-layered 22 minute work made only from captured non-musical materials; Jaroslav Kr_ek's miniature electronic gem based on nightingale songs and the proto-plunder legend 'Ommagio a Jerry Lee Lewis' by Richard Trythall. An indispensable collection in my view.
	COOPER, LINDSAY: Rags/The Golddiggers Code:ReRLCD Price: £12.50 Quantity in Basket: none
Consists of the whole of the LP previously issued as Re/arc and most of "The Golddiggers". Featuring Lindsay Cooper, Sally Potter, Phil Minton, Georgie Born, Fred Frith, Chris Cutler, Marilyn Mazur, Kate Westbrook, Collette Lafont, Eleanor Sloan, Lol Coxhill and Dave Holland. Explores the song form as so many of the early post Henry Cow records by ex alumni did. With a full book of texts and pictures (74+ minutes). Listen to a sample of this release
	CUSACK, PETER: Baikal Ice Code:ReRPC2 Price: £12.50 Quantity in Basket: none
In 2004 Peter took a field trip out to lake Baikal to record the ice breaking up (it's a dramatic annual event) and to make an aural document of the environs (port, jettys, generators, the trans-siberian express, settlements &c.). These are beautifully recorded sound-in-time snapshots, with excellent visual co-documentation. Such works belong nowhere and begin to constitute a new genre; this is one of the pioneering works in that genre.
	CUSACK, PETER: Where Is the Green Parrot? Code:ReRPC1 Price: £12.50 Quantity in Basket: none
Welcome release from this subtle but complex composer-performer-instrument designer. More than musical, these are dramatic constructions with environmental sound, birdsong, conversation, narrative... the guitar shop section of "two small boys go shopping" is a masterpiece.. A record hard to describe since it deftly side-steps all the usual categories.
	CUTLER, CHRIS & TOM DIMUZIO: Dust Code:ReRCCTD2 Price: £12.50 Quantity in Basket: none
The first of two tracks is a long Requiem which for me turned out to be a very serious piece of work - and unrepeatable, captured at a concert in New Mexico. Whatever were we thinking? It's followed by a studio piece, mixing raw binaural sound with sophisticated and radical secondary processing. I use my extended electrified kit and Tom his state of the art sample and real-time processing rig and we try to work as a single, highly complex and sophisticated instrument, with two brains and a mind of its own. Listen to a sample of this release
	CUTLER, CHRIS, PARKINS, ZEENA: Shark! Code:RERCZ1 Price: £12.50 Quantity in Basket: none
From the much lauded Queen Elizabeth Hall concert and club Link in Bologna, two very different knife-edge tours through sound and structure landscapes; from rollercoaster to glider. 'Indescribeable but wonderful. Quite superb. I would have been happy listening for ten times as long' Gibralter. Listen to a sample of this release
	CUTLER, CHRIS, THOMAS DIMUZIO, FRED FRITH: Golden State (LP) Code:ReR196.966550 Price: £17.75 Quantity in Basket: none
A limited Edition of 1969 numbered copies pressed into 180 gsm virgin vinyl and rather beautifully (and horribly expensively, as it turned out) packaged. The music was recorded in California in 1999 with guest Beth Custer (clarinet) on one track. Carefully mastered by Tom Dimuzio in wide frequency, solid footprint, broad compass stereo. Solid and expansive. Though we waved goodbye to vinyl decades ago, we felt this release was made to be an LP - a CD just wouldn't be the same, sonically, visually or ontologically. And of course we took advantage of the exaggerated dimensions and physicality to make it a thing visually to savour. Off the groove, Dimuzio, Cutler, Frith and Custer do what they do and you get a ringside seat - as well as something exquisite to look at and play with while you listen. A thing of beauty. The first 500 will be pressed on white vinyl, so please order early to get these. Outside Europe, please add £3 for postage and packing. Sorry.
	CUTLER, CHRIS/DIMUZIO,TOM: Quake Code:ReRCCTD1 Price: £12.50 Quantity in Basket: none
Recorded at two concerts in Lowell and Portland in March 1999. Great blocks of sound alive with detail, sometimes massive, sometimes attenuated near to silence; sometimes it's hard to know what instruments if any are involved. Growling and Tearing. Glacial movements alive with an emergent order? Process of becoming? Two guys making a lot of noise? Nice object. Listen to a sample of this release